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Projection Mapping on Museum Night 2019. In collaboration with Gerðarsafn Art Museum and the Church of Kópavogur.

The Exhibition “Dansað í ljósinu” - Dancing in the light, is made up of works that move on a slower timeline and, by chance, all originate in the REykjanes peninsula. The works illustrate time and light from different angles; the light controls how we sense and measure time. Light shows us the world and controls our biorhythm

Solo exhibition in January 2018 during wintersolstice in Iceland.

A visual for the show of Another Creation at Reykjavik Fashion Festival 2017. Top video is the actual visual and the one below is a documentation of the catwalk.

Video installation created at a sportsbar using all 20 TV´s that where already in place. Collaboration with Ragnar Már and Katla Rós during Sequences time based art festival. Video 1920 X 1080 HD x 20. Upon realising that most sports are played on a green background or natural green screen we created a new take for todays attention disordered public. Remixing sports with reality TV and sitcoms there can be something for everyone. The sportsbar can become more gender equal place, as well as bringing people together at home where everyone get´s caught up in indvividual screens. 2015

Visuals for different pieces of music written by six icelandic contemporary composers. Performed by The Hnúkaþeyr Octet in Harpa musichall. A part of the series Svartir Sunnudagar. Fall 2017

Multidimensional, VR glasses made from cardboard, Nexus tablet, Dunkin Doughnuts paperbag. 2016

VR sculpture created two weeks after Dunkin Doughnuts opened in Reykjavik. When the work was shown there was still a two hour line outside the Doughnut chain that had to hire bouncers. Now they have gone bankrupt and closed it´s doors.

Director of animation for a six episode series about Icelandic mythology and superstitions. Nominated for Edda (the Icelandic BAFTA) as comedy show of the year 2016.

This is a VR musicvideo for Michalowich, created in 2015  Inside a glasshouse that you can walk around in each object represents a instrument which you can move around. In a way remixing the song in a three dimensional space. For a full experience go to http://www.ineverreallymissedyou.com

I designed the setting for a zero waste technoparty by lake Kleifarvatn called TaktFakt. The dancing took part in a cave. I only choose found and recycled materials. We cooled our beers in the lake behind the bar using dipnets to fish them out. We also built a bar only serving Smirnoff shots from old lumber previously used for dried fish. Later in the night we turned the bar into a bonfire and as predicted the partiers dragged the rest of wooden structures into the fire as well. So the party mostly cleaned up after it self. It got killer reviews in MixMag worlds biggest dance music magazine. 

http://mixmag.net/feature/taktfakt-review

A1 prints on glossy museum quality paper. 2016.

I had a operation and needed to stay in bed for a few months. People kept bringing me fashion magazines. I started drawing on them with oil colors. This evolved into a show where I blew up my doodles and showed them at Kaffi Vinyl the only Vegan restaurant in Reykjavik. Humanising animals or animalising humans.

Collage & Blog

Watching You Watching Me is a blog I created and dedicated to Keith Brian Alexander, the director of the National Security Agency, chief of the Central Security Service, and commander of the United States Cyber Command. He is a four-star general in the United States Army and the public face of the largely faceless NSA. Vice magazine re-posted this picture of him with a cat and It became the most popular image from my blog because in reality the internet is controlled by cats.
 

http://keithbalexander.tumblr.com/

I created he graphic language and visuals for a concert to protect the Icelandic highlands. Along with some promotions for web and TV. In collaboration with Inga Maria Brynjarsdóttir, the original animal drawings were created by Jón Baldur Hlíðberg

Art Director. Onsite Art at the Secret Solstice festival 2014.

https://www.theguardian.com/environment/2015/jun/10/does-iceland-have-the-worlds-greenest-festival

http://www.festivalsherpa.com/icelands-secret-solstice-festival-just-got-certified-carbon-neutral/

Underwater installation, 1000 disposable plastic gloves, bricks, the ocean.

I wanted to ask the question of when man made objects cross the line and become nature again? Also raise awareness of the rising amount of plastic in the ocean with beauty. Many of the people who walked by the installation in NYC thought it was a pure nature video showing corals or some other underwater phenomena. While the people of Aruba quickly asked where the plastic gloves had ended up.

The video is a three-minute excerpt from a 30-minute looping video installation, which was projected onto a plastic screen during a installation at a gallery in New York City. It was also a part of Plastic Poetics a group show in Berlin. 

Photography,  C-print A3 2013

Driving across the US I saw the wildlife change in different states by looking at taxidermied animals at various gas stations.

Installation/sculpture, 2013  
(Photography C-print 16 x 23 inches)

Created inside a old forrest where I lived for a few months on a island outside of Seattle.